| born: 1961, Stamford, CT, U.S.A. |
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| EDUCATION | ||
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1987 |
Pratt Institute, Brooklyn, NY | |
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1985-1987 |
Ecole Nationale Superieure des Beaux-Arts, Paris, France | |
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1980-1984 |
Dartmouth College, Hanover, NH | |
| ONE-PERSON EXHIBITIONS | ||
| 2001 | Art & Public, Geneva, Switzerland | |
| Kapinos Galerie, Berlin, Germany | ||
| 2000 | Art & Public, Geneva, Switzerland | |
| 1999 | Kapinos Galerie, Berlin, Germany | |
| Vaknin Schwartz, Atlanta, GA | ||
| 1998 | Feigen Contemporary, New York, NY | |
| Queens Museum at Bulova Center, Queens, NY | ||
| 1996 | Feigen Inc., Chicago, IL | |
| Pierogi 2000, Brooklyn, NY | ||
| SELECTED GROUP EXHIBITIONS | ||
| 2000 | Galeria Antonio de Barnola, Barcelona, Spain | |
| Sky, Galerie Ulrich Fiedler, Cologne, Germany | ||
| Deep Distance - Der Entfernung der Fotografie, Kunsthalle Basel, Basel, Switzerland | ||
| Picturing Modernity: Selections from the Permanent Collection of Photography, San Francisco Museum of Modern Art, San Francisco, California | ||
| Transfert, international urban poster project in conjunction with Centre d'Art Neuchâtel, Neuchâtel, Switzerland | ||
| Mayday, Centre d'Art Neuchâtel, Neuchâtel, Switzerland | ||
| 1999 | Rattling the Frame, San Francisco Cameraworks, San Francisco, CA | |
| The Comforts of Home, Hand Workshop Art Center, Richmond, VA | ||
| Whichkraft? , Trans Hudson Gallery, New York, NY (curated by Angelo Filomeno) | ||
| Summer Salon IV, Bonni Benrubi Gallery, New York, NY | ||
| Zero G: When Gravity Becomes Form, Whitney Museum of American Art at Champion, Stamford, CT | ||
| Freudian Slips, Saks Fifth Avenue, New York, NY | ||
| More Than Meets the Eye: Triennale der Photographie, Deichtorhallen, Hamburg, Germany (curated by Wilhelm Schürmann) | ||
| Threshold: The Domestic in Contemporary Art, Kohler Arts Center, Sheboygan, WI | ||
| Fiction Reality, Deven Golden Fine Art, New York, NY (Curated by Lisa Jacobs) | ||
| Rage for Art, Pierogi 2000, Brooklyn, NY | ||
| 1997-1999 | Making it Real, a traveling exhibition organized and circulated by Independent Curators International (ICI), New York, and curated by Vik Muniz. Traveled to the Aldrich Museum of Contemporary Art, Ridgefield, CT; Reykjavik Municipal Art Museum, Reykjavik, Iceland; Portland Museum of Art, Portland, ME; Bayly Art Museum, University of Virginia, Charlottesville, VA; Bakalar Gallery, Massachusetts College of Art, Boston, MA; Emerson Gallery, Hamilton College, Clinton, NY | |
| 1998 | Hot Spots, NassauischerKunstverein, Wiesbaden, Germany | |
| Exterior / Interior: The Way I See It: Five Photographers Working in Brooklyn, Brooklyn Museum of Art, Brooklyn, NY (Curated by Barbara Head Millstein) | ||
| Neighborhood Watch, Julie Saul Gallery, New York, NY (Curated by Kevin Watroba) | ||
| 1998 New York State Biennial, New York State Museum, Albany, NY (Curated by Linda Weintraub) | ||
| 1997 | Tableaux, Vaknin-Schwartz, Atlanta, GA | |
| Curren t Undercurrent: Working in Brooklyn, Brooklyn Museum of Art, Brooklyn, NY (Curated by Charlotta Kotik) | ||
| Conversation Show #3, Art Resources Transfer, Inc., New York, NY (with Andy Yoder) | ||
| The Road Show '97 , Bronwyn Keenan Gallery, New York, NY | ||
| The Lie of the Land, University Art Museum, UCSB, Santa Barbara, CA | ||
| 1996 | High Anxiety, Center for Photography at Woodstock, Woodstock, NY; Centre Gallery, Miami-Dade Community College, Miami, FL; (Curated by Joseph R. Wolin) | |
| Planie-Galerie Guth & Maas, Reutlingen, Germany | ||
| IKunstART 96, Bockenheimer Depot, Frankfurt, Germany | ||
| Fictions, Carbone Gallery, Turin, Italy (Curated by Marcella Becarria) | ||
| Summer Salon III (Pictures We Like), Bonni Benrubi Gallery, New York, NY | ||
| The House Transformed, Barbara Mathes Gallery, New York, NY | ||
| Incestuous, Threadwaxing Space, New York | ||
| 1995 | As Big As Life, Michael Klein Gallery, New York, NY | |
| Verisimilitude, and the Utility of Doubt, White Columns, New York, NY (Curated by Bill Arning and Gregory Crewdson) | ||
| Hybrid no. 5 (stillness & uncertainty), The Kitchen, New York, NY | ||
| Other Rooms, Ronald Feldman Gallery, New York, NY | ||
| 1993 | Return of the Cadavre Exquis, The Drawing Center, New York, NY | |
| The Joke Show, Four Walls, Brooklyn, NY | ||
| 1992 | The Neurotic Art Show II, Artists Space, New York, NY | |
| SELECTED COLLECTIONS | ||
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Bankers Trust Company, New York, NY Elton John Collection, Atlanta, GA The Equitable Corporation, New York, NY Los Angeles County Museum of Art, Los Angeles, CA MacArthur Foundation, Chicago, IL Martin Margulies Collection, Coconut Grove, FL Progressive Corporation, Cleveland, OH San Francisco Museum of Modern Art, San Francisco, CA Wilhelm Schürmann Collection, Hamburg, Germany Howard Stein Collection, New York, NY John Wieland Homes Collection, Atlanta, GA |
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| AWARDS | ||
| 2000 | MacDowell Colony, Peterborough, NH; studio residency | |
| 1999 | New York Foundation for the Arts; Artist's Fellowship Award (Artists' Books) | |
| MacDowell Colony, Peterborough, NH; studio residency | ||
| 1996 | MacDowell Colony, Peterborough, NH; studio residency | |
| 1995 | Millay Colony for the Arts, Austerlitz, NY; studio residency | |
| 1994 | Edward F. Albee Foundation, Montauk, NY; Visual Arts Fellowship | |
| 1993-1994 | National Endowment for the Arts; Visual Arts Fellowship Grant (painting) | |
| 1992 | Edward F. Albee Foundation, Montauk, NY; Visual Arts Fellowship | |
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